Abstract: This research aims at reveling the mechanisms that Sameih El-Qasem recruits the Jahli (pre-Islam illiterate Era) poet, which differs and varies from one text to another, and occasionally, within the same text. This reveling would be in reference to the ability and creativity of the poet to benefit from the artistic potentials in the heritage text. Thereby, Sameih El-Qasem has made his text opened, and unclosed (unlocked). And so, he has opened the loked heritage doors, arguing their connotations, sympathized to each other according to his realistic point of view, looking for his identify and his right for self-determination. Therefore, he added his voice to the voices of Ash-Shanfara, Imri' Al Qais, Zohair, Al-Mothaqqab Al-Abdy, Amr-Ibn-Ma'adi karb Azobidi, Al-A'sha, and Amro-Ibn-Kulthoum and others.

العنوان

مجلة أماراباك، مجلة الأكاديمية للعلوم والتكنولوجيا المجلد الرابع العدد التاسع (2013)، ص 11-26

الناشر

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بلد الناشر

فلسطين

نوع المنشور

Both (Printed and Online)

المجلد

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السنة

2013

الصفحات

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